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      The writers 
        were always a problem... 
       
        -Arthur 
          Goldschmidt, one of the New Deal architects of Federal One, (in an interview 
          with Jerre Mangione, March 1969) 
       
      The Federal 
        Writers' Project was conceived of by New Deal administrators as a part 
        of Federal One, the common name for the four WPA arts programs (Mangione 
        4). In the years leading up to the creation of the FWP, professional organizations 
        had started to petition the federal government for a project of national 
        scope. They demanded something more appropriate to writers' training and 
        interest than the blue-collar opportunities afforded by other WPA employment 
        programs. A coherent plan was finally developed for a program that could 
        offer writers a certain degree of artistic freedom without compromising 
        the position of the government, in whose name the work would appear (Mangione 
        42).  
      	The idea 
        was for an American guidebook. The most contemporary handbook to the United 
        States was the Baedeker guide, first published in 1893 and revised in 
        1909, at this point quite outdated and also Anglicized (Mangione 46). 
        The FWP was to produce a "public Baedeker." The official announcement 
        read: 
       
         
          ...employment 
            of writers, editors, historians, research workers, art critics, architects, 
            archeologists, map draftsmen, geologists, and other professional workers 
            for the preparation of an American Guide and the accumulation of new 
            research material on matters of local, historical, art and scientific 
            interest in the United States; preparation of a complete encyclopedia 
            of government functions and periodical publications in Washington; 
            and the preparation of a limited number of special studies in the 
            arts, history, economics, sociology, etc., by qualified writers on 
            relief. (Mangione 47) 
        
      
       The American 
        Guide was expected to be a boon to the business community by stimulating 
        travel, and to encourage pride in local histories and heritages (Katherine 
        Davidson). Henry Alsberg, previously an editorial writer and foreign correspondent, 
        was appointed Director. State directors were sought out. The project commenced 
        on November 1st, 1935. 
       
      
         
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        Juliet Gorman, May 2001  
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