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      	The early 
        1920s provided the first signs that the seemingly expansive market for 
        American farm surpluses could falter, as European markets start to recover 
        from post-WWI decline (Carlebach and Provenzo 1). All over the country, 
        the shift towards modernization and large scale agribusiness opened up 
        new models of farming. The shipper-grower, the seasonal low-paid worker 
        and the industrial farm system were replacing the individual yeoman farmer 
        and the family farm setting as the primary face of American agriculture 
        (Carlebach and Provenzo 4-5). The populations being shepherded by these 
        new changes into the cycle of migrant transitory labor were hit particularly 
        hard by factors like the Dust Bowl (Fleischhauer and Brannan 2).  
      	The primary 
        goal of the Farm Security Administration, as it had been for previous 
        New Deal agencies whose responsibilities the FSA inherited, was to combat 
        the social and economic dislocations caused by the distressing agricultural 
        climate. The body of documentary photography commonly known as 
        the FSA photographs was, therefore, not the primary work of that organization. 
        It is, however, arguably the most recognized legacy of the agency. 
        
        
      
         
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        Juliet Gorman, May 2001  
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